Even before I met you, I knew I wanted to hold you. But when the time came, and your father handed you to me, and you wriggled and squawked and kicked against my chest as I tried to cradle you, I was terrified. It was a horrifying minute or two, though it felt like hours, before you settled down, your father leaning over you and crooning and showing me how to hold in your soother.
Then there came the beautiful few quiet moments, when you laid in my arms and stared into my eyes. I didn't know that three-week old babies could focus their gazes like that, but you did. I marveled at your eyes, dark blue, like your mama's; your little upturned nose; your beautiful lips, so easily quirked in infant rage or grief; your tiny hands, so warm and so strong; your little feet, bare just like your mama's and daddy's; the barely-there weight of you against my chest and in my arms.
You brought me to tears, but there were photos being taken by all, so I held back the tears and let them fall within my heart.
I remembered, as I held you, your daddy's presence in my life—how he held me when I was tiny, too; how he played with me when I was a little girl; how he teased and laughed with me when I was an awkward teenager; how he befriended me when I was just-eighteen, but thought I was so grown-up; how he was always, always kind and gentle, and treated me like the woman I so badly wanted to be.
Holding you, his firstborn, made me thankful all over again—for his friendship, for your mama who loves and respects him so much, for the chance to be part of your life as he was part of mine. It's beautiful, really, how cradling you in my arms was such a completion of the past, such a perfect moment to live, and such a mind-blowing promise of the future.
But then, I suppose that's exactly what God means babies to be . . .
Wednesday, August 03, 2011
Friday, July 29, 2011
give life
I come in, give my name.
"Have you read the 'stop sign'?"
Well, now I have. I make a mistake with its information, laugh at myself, get a smile from the receptionist along with my booklet.
"Please read this thoroughly."
I've read it at least a dozen times, but I acquiesce one more time, though my definition of "thoroughly" may be different than hers. I take it back to her, return to my seat . . . and commence waiting.
And waiting.
And waiting.
And waiting.
I've never waited this long before.
All around me, people are getting called, people who came minutes or even longer after I did.
A bell rings, and four white-coated people rush to the table behind us, snatch a woman, lay her on a cot, put her feet on risers. I glance at her face; she's dead white.
The room quiets. Names are still being called. I stare at the guy straight across from me, trying to figure out how the liquid in the bag next to him is so clear. He probably thinks I'm creepy, or disturbed, but he smiles and I smile back, apologizing.
A scream sounds, from the far corner, behind the cardboard partitions. "Get it out, get it out, get it ouuut!" Two women's heads appear over the top of the partition, jerking back and forth in a strange dance, then one of them looks up, blushes a little, and calls, "Just a bug." The whole room laughs a little, then settles back into its suffocating waiting.
Mom and I have both used the restroom twice (we're super well-hydrated) and are starting to get slap happy. Forty-five minutes into the wait, we play a two-out-of-three Rock-Paper-Scissors tournament to figure out who gets to go first. I win, but neither of us have been called, so we make it three-of-five. I win number four, then number five.
"Katie?"
I glance up, into the white-coated woman's face and ask if my mother can go first.
"It takes me longer," Mom explains. The woman in front of me chuckles.
"Slow bleeder, eh?"
The white-coated lady takes Mom away, into one of the cardboard-partitioned rooms. I try to slow my breathing and pulse, sit relaxed straight, keep my hands warm, and avoid crossing my legs.
"Katie?"
I regret my decision to let the lady take Mom, when I see that the white-coat waiting for me is a giant man without expression. I know I'm going to have to tell him all sorts of awkward things about myself, and as he leads me toward a flimsy cubicle, I also know my blood pressure is spiking.
I give him my card, and he scans it and makes me confirm my name and age and social security number about six times. I thought that the card was supposed to remove that extra step. Apparently not. I know the questions, and the answers, so I fly through them and his fingers sprint over the keyboard. I want to ask him how on earth such big hands can move that fast. He asks me to put my arms out, turn them so he can check for needle marks.
"Good, great," he says, and I want to tell him that I've never even thought of sticking anything into my arms. I leave my left arm on the table, and he places his hand over my pulse . I try not to stare, but it's hard when I can see that his two fingers nearly span my wrist. He punches in the number, tells me some ridiculous number that I know is born out of the cardboard walls and needles hovering just outside the fake doors. It's low enough, though. His hands fly over the desk, grab the sanitizer, use it, toss it back down.
"Put your middle finger out, just like this." He shows me, and I obey, surreptitiously rubbing my hands together just before I do. He rubs my finger with alcohol, pricks it, and I watch, fascinated, as he squeezes out three crimson bubbles, rejecting the first two and taking the third. I wonder Why always the third? but this giant hurried man is not the one to ask. He pushes my slide into the small machine next to me.
"Twelve point five or above and you are good to go." I lean forward to see the screen, holding my breath a little. It's totally blank, and I feel miserable, like I've already failed. But then, then, the numbers come up and they are beautifully high.
"Fourteen point nine," he says. "You've been hitting the spinach." I lean back, smile a little.
"Whoa. I've never tested that high the first time."
"I'll take credit for that." His face is serious, but there's a little twinkle in his eyes, and I flash him a smile, a real smile that I think he finally deserves. Then, oh relief, he sets up the computer, leaves me and the awkward questions alone for awhile.
I answer them, only saying yes twice, but I know that twice is quite enough to flag me.
In comes the white-coated lady who took my mother. She makes me confirm my name, age, SSN, then she sees my flagged answers. She fires a series of rote questions at me, but it's not until I tell her, "We pierced my ear with a sewing needle," that she really pays attention. I want to huddle miserably, but she's kind of staring at me, and I think to myself, Maybe my iron numbers were so high they won't reject me. So I plunge on, doubting it will help. "I mean, we sanitized it, and he even wore gloves, but it was a sewing needle, and--"
"I'm sorry," she tells me. I see the donor-desperation in her eyes as she tells me, "No, not today." She asks for the exact date, which I suddenly realize was not November at all but October 28th, and she gives me a letter of deferment, apologizing again. I think she's sorrier than I am.
Walk of shame, back to the seats. No one knows why I've been deferred--stupid confidentiality--and the giant doctor knows that my iron is more than high enough. He probably thinks I got flagged for some insanely horrific question. I slump, trying to be small, but the kind lady finds me and slips me the donor gifts, even though I didn't give. I smile at her and put them in my purse, feeling guilty and disappointed. Somehow, though, it's hard to be too disappointed when I feel like I'm winning the game called Iron Levels that I've never before quite mastered.
It's not until late that night, when I take off the bandage on my finger, that I realize my finger is purple and yellow where the giant fingers squeezed out my blood. That has never happened to me before, no matter how low my numbers were. He bruised me, I think, He bruised me no matter how high my iron was, and somehow I think this is funny, and I'm even a tiny bit proud of it.
I can't go back until October--October 28, 2011, my letter informs me--but somehow it's okay. I think this trip will last me at least that long.
"Have you read the 'stop sign'?"
Well, now I have. I make a mistake with its information, laugh at myself, get a smile from the receptionist along with my booklet.
"Please read this thoroughly."
I've read it at least a dozen times, but I acquiesce one more time, though my definition of "thoroughly" may be different than hers. I take it back to her, return to my seat . . . and commence waiting.
And waiting.
And waiting.
And waiting.
I've never waited this long before.
All around me, people are getting called, people who came minutes or even longer after I did.
A bell rings, and four white-coated people rush to the table behind us, snatch a woman, lay her on a cot, put her feet on risers. I glance at her face; she's dead white.
The room quiets. Names are still being called. I stare at the guy straight across from me, trying to figure out how the liquid in the bag next to him is so clear. He probably thinks I'm creepy, or disturbed, but he smiles and I smile back, apologizing.
A scream sounds, from the far corner, behind the cardboard partitions. "Get it out, get it out, get it ouuut!" Two women's heads appear over the top of the partition, jerking back and forth in a strange dance, then one of them looks up, blushes a little, and calls, "Just a bug." The whole room laughs a little, then settles back into its suffocating waiting.
Mom and I have both used the restroom twice (we're super well-hydrated) and are starting to get slap happy. Forty-five minutes into the wait, we play a two-out-of-three Rock-Paper-Scissors tournament to figure out who gets to go first. I win, but neither of us have been called, so we make it three-of-five. I win number four, then number five.
"Katie?"
I glance up, into the white-coated woman's face and ask if my mother can go first.
"It takes me longer," Mom explains. The woman in front of me chuckles.
"Slow bleeder, eh?"
The white-coated lady takes Mom away, into one of the cardboard-partitioned rooms. I try to slow my breathing and pulse, sit relaxed straight, keep my hands warm, and avoid crossing my legs.
"Katie?"
I regret my decision to let the lady take Mom, when I see that the white-coat waiting for me is a giant man without expression. I know I'm going to have to tell him all sorts of awkward things about myself, and as he leads me toward a flimsy cubicle, I also know my blood pressure is spiking.
I give him my card, and he scans it and makes me confirm my name and age and social security number about six times. I thought that the card was supposed to remove that extra step. Apparently not. I know the questions, and the answers, so I fly through them and his fingers sprint over the keyboard. I want to ask him how on earth such big hands can move that fast. He asks me to put my arms out, turn them so he can check for needle marks.
"Good, great," he says, and I want to tell him that I've never even thought of sticking anything into my arms. I leave my left arm on the table, and he places his hand over my pulse . I try not to stare, but it's hard when I can see that his two fingers nearly span my wrist. He punches in the number, tells me some ridiculous number that I know is born out of the cardboard walls and needles hovering just outside the fake doors. It's low enough, though. His hands fly over the desk, grab the sanitizer, use it, toss it back down.
"Put your middle finger out, just like this." He shows me, and I obey, surreptitiously rubbing my hands together just before I do. He rubs my finger with alcohol, pricks it, and I watch, fascinated, as he squeezes out three crimson bubbles, rejecting the first two and taking the third. I wonder Why always the third? but this giant hurried man is not the one to ask. He pushes my slide into the small machine next to me.
"Twelve point five or above and you are good to go." I lean forward to see the screen, holding my breath a little. It's totally blank, and I feel miserable, like I've already failed. But then, then, the numbers come up and they are beautifully high.
"Fourteen point nine," he says. "You've been hitting the spinach." I lean back, smile a little.
"Whoa. I've never tested that high the first time."
"I'll take credit for that." His face is serious, but there's a little twinkle in his eyes, and I flash him a smile, a real smile that I think he finally deserves. Then, oh relief, he sets up the computer, leaves me and the awkward questions alone for awhile.
I answer them, only saying yes twice, but I know that twice is quite enough to flag me.
In comes the white-coated lady who took my mother. She makes me confirm my name, age, SSN, then she sees my flagged answers. She fires a series of rote questions at me, but it's not until I tell her, "We pierced my ear with a sewing needle," that she really pays attention. I want to huddle miserably, but she's kind of staring at me, and I think to myself, Maybe my iron numbers were so high they won't reject me. So I plunge on, doubting it will help. "I mean, we sanitized it, and he even wore gloves, but it was a sewing needle, and--"
"I'm sorry," she tells me. I see the donor-desperation in her eyes as she tells me, "No, not today." She asks for the exact date, which I suddenly realize was not November at all but October 28th, and she gives me a letter of deferment, apologizing again. I think she's sorrier than I am.
Walk of shame, back to the seats. No one knows why I've been deferred--stupid confidentiality--and the giant doctor knows that my iron is more than high enough. He probably thinks I got flagged for some insanely horrific question. I slump, trying to be small, but the kind lady finds me and slips me the donor gifts, even though I didn't give. I smile at her and put them in my purse, feeling guilty and disappointed. Somehow, though, it's hard to be too disappointed when I feel like I'm winning the game called Iron Levels that I've never before quite mastered.
It's not until late that night, when I take off the bandage on my finger, that I realize my finger is purple and yellow where the giant fingers squeezed out my blood. That has never happened to me before, no matter how low my numbers were. He bruised me, I think, He bruised me no matter how high my iron was, and somehow I think this is funny, and I'm even a tiny bit proud of it.
I can't go back until October--October 28, 2011, my letter informs me--but somehow it's okay. I think this trip will last me at least that long.
Monday, July 25, 2011
what have you come to do?
He settled back into the truck seat, blinking to keep himself from falling asleep at the wheel. It'd been a long and rather shitty day, beginning with the irate customer that burst in the door as soon as it was unlocked, and ending with unexpected overtime. He'd never been more glad to see the lights go off in the little shop.
Every day his hands got a little bit softer, his skin a little lighter, and he hated it. He missed the wind, the chafing salt waves, the biting cold of the coastal dawns. He missed the breathless dance of dragging out the clawed creatures without getting pinched, the involuntary cursing when a wave crashed over the gunwales, the salt invading every crack in his coarse dry skin. Hell, he even missed the furious banter that bordered on harassment. Now--now--he realized what it really meant.
Tears stung in his eyes, but he bit his tongue and swallowed hard. Lobstermen don't cry, he shouted at his own weak self. But it was too late--his heart felt the tightening in his jaw and throat and refused to contain the grief any longer. The road blurred in front of him, and he yanked the steering wheel into the first open parking spot he saw.
Damn.
He'd parked directly in front of the footbridge, and the area still teemed with pedestrians. Even as he tried to swipe at his eyes without making a scene, an elderly couple hobbled by the passenger door, peering with unhidden interest into his truck cab. He swung open his own door, sliding out and slamming the door shut behind him. Striding past the now open-mouthed couple, he set his eyes ahead, determined not to be engaged by anyone else. He passed romantic-eyed couples, holding hands; boisterous families, attempting to curtail energetic children; calloused natives, keeping their eyes fastened on the ground.
When he realized that he'd escaped them all, he stopped, resting his arms on the railing and his eyes on the horizon. Somehow, though he'd grown up on the sea, the sunsets never failed to capture his attention. They always, somehow, seemed to be making a promise. Red sky at night, sailors' delight, he thought, echoing his dad's saying without even trying.
Dad.
Putting his head down, he wept, the salty tears dropping down and mixing with the ocean water below. He hadn't believed the words, when he left--you'll miss this place, son--but now he knew them to be true. And more than anything, he wanted it back. The back-breaking work, the cramped grey-shingled house, the rough coarse fiercely-loving camaraderie--he missed it all.
Oh, Dad . . . I want to come home!
But as he lifted his head, he knew with certainty that home-coming dream was just a fantasy. The man he knew and loved against his own will would never take back the person his son had become. Even as he wiped the tears from his face, he despised the hands without callouses, the arms without a tan. He had become weak, soft, and the tears proved it.
Lobstermen don't cry.
Damn straight, Dad.
He'd never go back home until he could prove that he was a real man, worthy to be called that hallowed name, lobsterman.
And by the looks of the tearstains on his shirt, that wouldn't be happening any time soon.
**
A year ago, she'd walked into his life, one night close to the sea. He'd seen her, swinging her skirt a little bit and laughing as she walked, and he'd walked right up to her and said hello. Looking back, he couldn't imagine what he'd been thinking--or maybe he was not thinking at all.
It'd only been a year, but already he knew most things more clearly than in all the twenty-seven years preceding. He knew that she loved starlight, and moon-risings over the sea, and rocky beaches. He knew that she liked to dance, but wasn't very good; that she sang with a peculiar unique sweetness, but was shy about her voice; that she hated wearing sneakers. He knew that her hand was small and often cold in his grip, that she tended to look down right before she said something brave, that she usually laughed right before she burst into tears. He knew that when she was angry, her eyes turned the colors of a hurricane sea, all green and grey and terror. He knew that she loved daisies of any sort, and could make a chain of them in less than a minute. He knew that she kissed like she meant it, that she preferred to hold hands and walk than make out. He knew that when she laughed in the sunset light, it looked like she was going to float away and become part of the sky itself. And he knew, at those moments, that he wanted to hold her just a little bit more tightly, to be sure, because it was then that he knew he wanted her to be with him for the rest of his life.
He knew exactly how, and when, and where, and what he wanted to ask her.
Parking his truck, he slid out, shoving the door closed behind him and striding onto the footbridge. He was too much focused on his own thoughts to notice the sideways glances of the people he passed. There was only one spot that would do, only one time, and that was where he'd very first seen her.
Right in the middle of the bridge, he stopped. This was it--the place he'd been standing when he saw her dancing toward him. He turned his head, leaning forward to rest his arms on the railing. This was the time, too, right between sunset and dusk. It was as if the sky itself was working to make his choice perfect, for as he watched, the sunset burst into flames. He stared at the horizon, not really seeing the beauty before him, but wrapped up in his plans.
Soon, he knew, he would come back here, but not alone. Next time, he'd come holding the hand of a girl who laughed and wore skirts while climbing rocks and gripped his arm like she'd never let go. Next time, he'd have a tiny treasure box hidden in his pocket, and next time, he'd turn her face toward the sunset and ask her the question that would change their lives. He knew it, knew it perfectly. He'd never known anything else, anyone else, so well in all his life.
He knew this was what he wanted--exactly what he'd always wanted.
Every day his hands got a little bit softer, his skin a little lighter, and he hated it. He missed the wind, the chafing salt waves, the biting cold of the coastal dawns. He missed the breathless dance of dragging out the clawed creatures without getting pinched, the involuntary cursing when a wave crashed over the gunwales, the salt invading every crack in his coarse dry skin. Hell, he even missed the furious banter that bordered on harassment. Now--now--he realized what it really meant.
Tears stung in his eyes, but he bit his tongue and swallowed hard. Lobstermen don't cry, he shouted at his own weak self. But it was too late--his heart felt the tightening in his jaw and throat and refused to contain the grief any longer. The road blurred in front of him, and he yanked the steering wheel into the first open parking spot he saw.
Damn.
He'd parked directly in front of the footbridge, and the area still teemed with pedestrians. Even as he tried to swipe at his eyes without making a scene, an elderly couple hobbled by the passenger door, peering with unhidden interest into his truck cab. He swung open his own door, sliding out and slamming the door shut behind him. Striding past the now open-mouthed couple, he set his eyes ahead, determined not to be engaged by anyone else. He passed romantic-eyed couples, holding hands; boisterous families, attempting to curtail energetic children; calloused natives, keeping their eyes fastened on the ground.
When he realized that he'd escaped them all, he stopped, resting his arms on the railing and his eyes on the horizon. Somehow, though he'd grown up on the sea, the sunsets never failed to capture his attention. They always, somehow, seemed to be making a promise. Red sky at night, sailors' delight, he thought, echoing his dad's saying without even trying.
Dad.
Putting his head down, he wept, the salty tears dropping down and mixing with the ocean water below. He hadn't believed the words, when he left--you'll miss this place, son--but now he knew them to be true. And more than anything, he wanted it back. The back-breaking work, the cramped grey-shingled house, the rough coarse fiercely-loving camaraderie--he missed it all.
Oh, Dad . . . I want to come home!
But as he lifted his head, he knew with certainty that home-coming dream was just a fantasy. The man he knew and loved against his own will would never take back the person his son had become. Even as he wiped the tears from his face, he despised the hands without callouses, the arms without a tan. He had become weak, soft, and the tears proved it.
Lobstermen don't cry.
Damn straight, Dad.
He'd never go back home until he could prove that he was a real man, worthy to be called that hallowed name, lobsterman.
And by the looks of the tearstains on his shirt, that wouldn't be happening any time soon.
**
A year ago, she'd walked into his life, one night close to the sea. He'd seen her, swinging her skirt a little bit and laughing as she walked, and he'd walked right up to her and said hello. Looking back, he couldn't imagine what he'd been thinking--or maybe he was not thinking at all.
It'd only been a year, but already he knew most things more clearly than in all the twenty-seven years preceding. He knew that she loved starlight, and moon-risings over the sea, and rocky beaches. He knew that she liked to dance, but wasn't very good; that she sang with a peculiar unique sweetness, but was shy about her voice; that she hated wearing sneakers. He knew that her hand was small and often cold in his grip, that she tended to look down right before she said something brave, that she usually laughed right before she burst into tears. He knew that when she was angry, her eyes turned the colors of a hurricane sea, all green and grey and terror. He knew that she loved daisies of any sort, and could make a chain of them in less than a minute. He knew that she kissed like she meant it, that she preferred to hold hands and walk than make out. He knew that when she laughed in the sunset light, it looked like she was going to float away and become part of the sky itself. And he knew, at those moments, that he wanted to hold her just a little bit more tightly, to be sure, because it was then that he knew he wanted her to be with him for the rest of his life.
He knew exactly how, and when, and where, and what he wanted to ask her.
Parking his truck, he slid out, shoving the door closed behind him and striding onto the footbridge. He was too much focused on his own thoughts to notice the sideways glances of the people he passed. There was only one spot that would do, only one time, and that was where he'd very first seen her.
Right in the middle of the bridge, he stopped. This was it--the place he'd been standing when he saw her dancing toward him. He turned his head, leaning forward to rest his arms on the railing. This was the time, too, right between sunset and dusk. It was as if the sky itself was working to make his choice perfect, for as he watched, the sunset burst into flames. He stared at the horizon, not really seeing the beauty before him, but wrapped up in his plans.
Soon, he knew, he would come back here, but not alone. Next time, he'd come holding the hand of a girl who laughed and wore skirts while climbing rocks and gripped his arm like she'd never let go. Next time, he'd have a tiny treasure box hidden in his pocket, and next time, he'd turn her face toward the sunset and ask her the question that would change their lives. He knew it, knew it perfectly. He'd never known anything else, anyone else, so well in all his life.
He knew this was what he wanted--exactly what he'd always wanted.
Tell me, baby
What's your story
Where do you come from
And where you wanna go this time
Monday, July 18, 2011
let Your love hover near
Imprecation
I call it "honest"
"emotional outpouring"
"brokenhearted praying."
Strike all my enemies on the jaw! Break the teeth of the wicked!
Why do I think it's acceptable?
I think a lot of things,
say some of them, too.
That doesn't make me right.
Imprecation
It seems harmless
a release, maybe,
just words.
Pour out Your wrath on them!
And then
I realize what it is exactly that I'm praying against.
Or who, rather.
The arrogant cannot stand in Your presence.
(How often my pride rules my actions.)
You hate all who do wrong.
(I pass injustice every day on the streets
and sometimes I perpetuate it.
Knowingly.)
You destroy those who tell lies.
(It's too hard to keep telling the truth.)
Bloodthirsty and deceitful men the LORD abhors.
(Yet here I am, screaming for the heads
of those who have wounded me,
making it all their fault
when maybe I was in the wrong, as well.)
Imprecation
It seems so hypocritical.
It feels so wrong.
Declare them guilty, O God!
Am I honestly praying for my own guilt to be revealed
gleefully recognized
fittingly punished?
Let their intrigues be their downfall!
What if mercy never caught me when I stumbled over my own plans?
Banish them for their many sins, for they have rebelled against You!
How many times have I deliberately
turned my back
shut my eyes
closed my hands
covered my ears
run the other way?
Too many times to count.
Can I demand that they be banished,
cut off,
separated,
and then dare to beg that I be spared?
Oh, God.
Oh, God, God, God, God.
Imprecation
It's a dangerous business, I think, asking for justice to be served.
Maybe I don't know what justice is at all.
Maybe my idea of "justice" is whatever seems to best serve my interests.
When I pray
Strike
Break
Pour out on
Destroy
Declare guilty
Banish
I'm forced to look in the mirror,
see the ugly truth I want to flee,
know my own faults,
and admit my deep unworthiness.
Imprecation
I see in them my own
failures
apathy
deliberate rebelliousness.
But
I, by Your great mercy,
I will come into Your house.
Unworthy as I am, I throw myself on the only thing that I know will catch me.
Imprecation has no place when I realize
I am them
and they are me.
But
by Your great mercy . . .
I call it "honest"
"emotional outpouring"
"brokenhearted praying."
Strike all my enemies on the jaw! Break the teeth of the wicked!
Why do I think it's acceptable?
I think a lot of things,
say some of them, too.
That doesn't make me right.
Imprecation
It seems harmless
a release, maybe,
just words.
Pour out Your wrath on them!
And then
I realize what it is exactly that I'm praying against.
Or who, rather.
The arrogant cannot stand in Your presence.
(How often my pride rules my actions.)
You hate all who do wrong.
(I pass injustice every day on the streets
and sometimes I perpetuate it.
Knowingly.)
You destroy those who tell lies.
(It's too hard to keep telling the truth.)
Bloodthirsty and deceitful men the LORD abhors.
(Yet here I am, screaming for the heads
of those who have wounded me,
making it all their fault
when maybe I was in the wrong, as well.)
Imprecation
It seems so hypocritical.
It feels so wrong.
Declare them guilty, O God!
Am I honestly praying for my own guilt to be revealed
gleefully recognized
fittingly punished?
Let their intrigues be their downfall!
What if mercy never caught me when I stumbled over my own plans?
Banish them for their many sins, for they have rebelled against You!
How many times have I deliberately
turned my back
shut my eyes
closed my hands
covered my ears
run the other way?
Too many times to count.
Can I demand that they be banished,
cut off,
separated,
and then dare to beg that I be spared?
Oh, God.
Oh, God, God, God, God.
Imprecation
It's a dangerous business, I think, asking for justice to be served.
Maybe I don't know what justice is at all.
Maybe my idea of "justice" is whatever seems to best serve my interests.
When I pray
Strike
Break
Pour out on
Destroy
Declare guilty
Banish
I'm forced to look in the mirror,
see the ugly truth I want to flee,
know my own faults,
and admit my deep unworthiness.
Imprecation
I see in them my own
failures
apathy
deliberate rebelliousness.
But
I, by Your great mercy,
I will come into Your house.
Unworthy as I am, I throw myself on the only thing that I know will catch me.
Imprecation has no place when I realize
I am them
and they are me.
But
by Your great mercy . . .
Tuesday, July 12, 2011
committment
Writing a really quality story (short story, novel, whatever) is much like a marriage, I think. It takes time and work and intentional commitment. Halfway through, it's tempting to give up, set it aside for a little bit, take up something else "just for a little change."
(We all know we're never coming back to that set-aside story. Let's be honest.)
I don't really like thinking of writing like this, as something I have to work at and discipline myself to do. If it doesn't come easily, natural as breathing, then what if it turns out I'm actually really bad at it? Can you love something so much . . . and it just doesn't work out? I'd prefer to compare writing to one of those awful love affairs, where everything "just happens" and there are no obstacles that can't be overcome with a few magical kisses.
But writing isn't like that. Actually, most times, writing is more like having a husband who took a really dire turn somewhere along the way. He's started working late, forgetting important promises, drinking too much, getting argumentative and difficult. He's loved . . . but it's honestly so much easier when he just forgets to come home . . .
Writing has always come and gone for me, like the ebb and flow of the tides. But I think I'm coming to the point where I know I can't keep just flirting. It's time to slow down and set up house, or leave for good before I get myself in deeper than I can swim.
(We all know we're never coming back to that set-aside story. Let's be honest.)
I don't really like thinking of writing like this, as something I have to work at and discipline myself to do. If it doesn't come easily, natural as breathing, then what if it turns out I'm actually really bad at it? Can you love something so much . . . and it just doesn't work out? I'd prefer to compare writing to one of those awful love affairs, where everything "just happens" and there are no obstacles that can't be overcome with a few magical kisses.
But writing isn't like that. Actually, most times, writing is more like having a husband who took a really dire turn somewhere along the way. He's started working late, forgetting important promises, drinking too much, getting argumentative and difficult. He's loved . . . but it's honestly so much easier when he just forgets to come home . . .
Writing has always come and gone for me, like the ebb and flow of the tides. But I think I'm coming to the point where I know I can't keep just flirting. It's time to slow down and set up house, or leave for good before I get myself in deeper than I can swim.
moats and boats and waterfalls
Home.
What a strange solid little word for such a huge elusive slippery thing.
So many things mean home to me.
Home is being in the house I grew up in, walking on the braided rug I know from all those years ago, pacing out the patterns the way I did when I was five or six. Home is sitting on the front steps of my dorm, with a good book and people passing by every few minutes. Home is the way the waves of the sea crash against my very soul, taking my breath away while somehow giving me back the vivacity I'd forgotten. Home is crouching on a step-stool in the housekeeping office, leaning my head against my knees, and listening to the pidgined language flying around me, content to wait and savor that moment. Home is the trees, the lawn, the treehouse, the stream--all in my backyard.
Home is the camaraderie of the conversations with the older couples at my church, flirting gently with the men and holding the hands of the women. Home is the freedom to scream and weep in front of a dear friend, and the knowledge that when I collapse, finally drained of all the rage and pain, she'll still be there. Home is the laughter and solemnity of reunion weekends. Home is the casualness of shouting through the bathroom door at someone in the shower. Home is the discovery of another spirit made kindred through the common bonds we share. Home is reading a book out loud, squished among four little kiddos I've learned to call "mine." Home is my father . . . my mother . . . my sister . . . my brother.
Home is the way I move through Jerusalem, strong and brave and quick, knowing there are eyes on me and not caring, keeping my head high and my face forward while my feet and hips move in a strange and swirling dance to avoid the other walkers. Home is a romance that's yet to come. Home is settling into my seat in a classroom, excited about the coming discussion, sharing laughter and smiles with my fellow students. Home is late-night tea-talks. Home is the unhinging feeling of burying my hands and face in the long fur of a wriggling dog or a purring cat. Home is the freeness of being barefoot everywhere I go. Home is the long, long farewell hugs; the shaking sobs that are made shameless by the depth of the grief; the wild determination that I have to come back, I must come back.
Is home the place? The people? The feelings?
Or is Home something I'll never quite reach, this side of eternity? Is it something that I'm meant to always miss? Will there always be that little twinge that makes me remember that there's something even more Home-y yet to come?
Home, I think, means feeling good in my own skin, and delighting in how my whole self fits into the place I am, and knowing that my very soul is recognized as beautiful by those around me. True home is having roots that go down deep. Whether those roots are in something lasting and solid, or something transient, is a decision I make each and every day . . .
What a strange solid little word for such a huge elusive slippery thing.
So many things mean home to me.
Home is being in the house I grew up in, walking on the braided rug I know from all those years ago, pacing out the patterns the way I did when I was five or six. Home is sitting on the front steps of my dorm, with a good book and people passing by every few minutes. Home is the way the waves of the sea crash against my very soul, taking my breath away while somehow giving me back the vivacity I'd forgotten. Home is crouching on a step-stool in the housekeeping office, leaning my head against my knees, and listening to the pidgined language flying around me, content to wait and savor that moment. Home is the trees, the lawn, the treehouse, the stream--all in my backyard.
Home is the camaraderie of the conversations with the older couples at my church, flirting gently with the men and holding the hands of the women. Home is the freedom to scream and weep in front of a dear friend, and the knowledge that when I collapse, finally drained of all the rage and pain, she'll still be there. Home is the laughter and solemnity of reunion weekends. Home is the casualness of shouting through the bathroom door at someone in the shower. Home is the discovery of another spirit made kindred through the common bonds we share. Home is reading a book out loud, squished among four little kiddos I've learned to call "mine." Home is my father . . . my mother . . . my sister . . . my brother.
Home is the way I move through Jerusalem, strong and brave and quick, knowing there are eyes on me and not caring, keeping my head high and my face forward while my feet and hips move in a strange and swirling dance to avoid the other walkers. Home is a romance that's yet to come. Home is settling into my seat in a classroom, excited about the coming discussion, sharing laughter and smiles with my fellow students. Home is late-night tea-talks. Home is the unhinging feeling of burying my hands and face in the long fur of a wriggling dog or a purring cat. Home is the freeness of being barefoot everywhere I go. Home is the long, long farewell hugs; the shaking sobs that are made shameless by the depth of the grief; the wild determination that I have to come back, I must come back.
Is home the place? The people? The feelings?
Or is Home something I'll never quite reach, this side of eternity? Is it something that I'm meant to always miss? Will there always be that little twinge that makes me remember that there's something even more Home-y yet to come?
Home, I think, means feeling good in my own skin, and delighting in how my whole self fits into the place I am, and knowing that my very soul is recognized as beautiful by those around me. True home is having roots that go down deep. Whether those roots are in something lasting and solid, or something transient, is a decision I make each and every day . . .
Monday, July 04, 2011
Their Fourth
Moving through the crowd with my parents, I search for the best vantage spot. Crowds are already gathered, but most of them are in lawn chairs. We will stand. We find a place, nice and clear, and stand in anticipation. I watch the group of men near us; they're chatting, smiling, shaking hands, calling each other "brother" and "man" and last names. There's still an air of anxiousness that hangs over them. An older, yet still spry man comes by, carrying the familiar walking stick. He stops, speaks to the group of men right in front of us, then moves farther down the road, past where I can see. Dammit.
"Mom, Mom," I say, batting at her arm like a child. "They're down there; the line starts down there."
"Where, where?" she answers, nearly as excited. I point, totally unmannered, and we hurry down the sidewalk, excusing ourselves to the mothers with strollers and the retirees holding dogs' leashes. We find another spot, and feel the heat of the sun after our short rush. I glance around, checking to be sure we're at the front of the line. I think we are.
In a few minutes, a man climbs into the open-sided jeep in front of us. A young man, too young actually, climbs in beside him, and I suspect he's some sort of medical attendant. He looks uncomfortable, like he doesn't think he deserves this place and the attention. The jeep driver starts the engine, and Dad grins.
"That jeep, she purrs," he chuckles. I smile at him, but I'm already feeling my throat tightening.
Then, I hear music from our left, down the street. All of us, sitting or standing, crane our necks, swiveling for the best view. A line of five comes down the street, followed by a line of three. Two of them, on the ends, carry rifles; the rest carry flags. My eyes blur, but just for a minute. There's a lull, and the crowd stirs with restlessness and expectation. The spry older man steps into the middle of the street and gazes down, waiting for a signal. He turns and says something to the others, and they shift almost as one. A group files out from the side of the street, to our right, then the man in the middle of the street nods, and waves his hand.
And it begins. The jeep pulls out, hauling the trailer with the old familiar bell and the sign.
And I cry as I watch them.
They're older men, the same ages my grandfathers would be. Many of them wear baseball hats with words emblazoned across the front; some of them wear the hats of their military branches. Each of them carries the smooth light-colored wooden walking stick with the flags and design. Though they're stooped with age and pain, wearing suspenders to keep their pants at their waists, their steps are measured and sure. They've done longer marches than this; they've walked harder roads than this. I can imagine them, as young men, younger than I am now, full of life and vigor and recklessness, marching out onto the new ground. We'll send 'em back where they belong. I can see them, terrified out of their minds, face first in a muddy hole, clutching photos or letters or medallions. There's a woman marching in the front row, clutching hands with a man next to her, and I wonder if I could ever be so strong as she, white-haired and wrinkled as she is. I think of the terror of an entire world at war, a war that was concentrated on the shoulders of men young enough to be college students, yet old enough to leave wives and children at home. I wonder about their families, their stories. I watch the men they are today walk by, as straight as their old bones will let them stand, and I cry harder as the last one passes.
Right behind them is another banner, another group of men. They're a little younger, the ages of my uncles, though some of them are stooped with pains other than age. They walk just as proudly, just as strong, as the men before them. They're waving more then the others, smiling a little more, but their eyes are still haunted. Their walking sticks are the same size and shape, but the flag pattern is a little different. Over half of these men wear the black shirts with the white words and outlined silhouette. You are not forgotten. I wonder how many of them are still waiting for a partner, a brother, a buddy to come home from the prisons. Though their fight was shorter, less global, I know it was just as horrible. I think of the new and terrible weapons these men used and experienced, the fear and confusion of smoke-filled jungles, and I shiver for them. I ache when I think of the confusion, the reproachful near-betrayal they felt when their government acted embarrassed of the effort they'd made. My tears flow just as freely for them, too.
There's another group coming, the largest so far. These men are the strongest, outwardly, and the youngest, but many of them walk with limps or lean too hard on their walking sticks. Some of them walk straight and proud, but many of them look nearly embarrassed to be there. I know why, and I feel angry at a world, a country, that spat on them when they were weakest. Like the others, these men did what they were told to do, fought and bled and watched their comrades die. They left wives and babies, fathers and mothers, brothers and sisters and cousins, and home. I imagine them, young, strong, confident in their victory . . . and I see their shock when it never came. I see their joy when they were told the war was won, they were told they could go home. And I cringe at the shock and confusion when they came home to neighbors who screamed the ugly words at them--baby-killer!--and strangers who burnt the flag that'd been so precious to the men over the sea. Make love, not war. It's been within my memory that they've been allowed, requested, to march, and I remember many faces from that first year, when we spilt out onto the sidewalks and clapped until our hands hurt, trying to make right the wrongs done to them those many years ago. I weep, knowing that, really, nothing will ever erase that burning betrayal of the past.
Now a small group marches past, only a handful, really. Only a few of them are in civilian dress; the rest are still in their ACUs and combat boots. There is a noticeable number of women in their group. They're wearing sunglasses, mostly, and have their sleeves rolled up. I know that their wives, husbands, and little children are probably watching from sidewalks somewhere close by. Always ready, always there. I know that they have no time to bask in the applause and salutes and cheers. In the next few months, weeks, even days maybe, most of them will be redeployed, sent out to arid shining lands where any beauty is erased by the blazing sun. I imagine the sunburns, the cracked lips, the constant thirst. They're engaging with the crowd the most, and I meet their eyes with my own tear-filled ones.
The buses are here, and I raise my head, tipping my face to squint up into the windows. They've started putting a sign on the sides--Veterans--because people used to ignore the buses, stop clapping, sit down. This year, there's a man standing on the steps of each vehicle, waving at us. Their eyes are still sharp, mostly, and each one of them clutches the walking stick in his hand. These are men and women whose bodies no longer have the capability to walk the relatively-short route, the ones who have physically suffered the most. And yet here they are, waving little flags and wearing the hats and smiling down at us. One man is so hunched from age and pain that he can barely peep over the edge of the window, but his crumpled little hand still feebly waves the flag he fought for. God bless America, boys. I wave back, doing my best to smile through my tears.
And then, the buses are gone, taking the last of these soldiers with them. I wipe away my tears, get a drink, look around shyly at the people around me. Most of the others have gone back to their chairs, are chatting with the people beside them. My father puts his hat back on, and the parade flows past us like nothing happened.
I look at the ground. A few last tears trickle down my face as I swallow the lump still in my throat, my heart still somewhere on a battlefield. I think I can hear the soldiers whispering.
Ora pro nóbis peccatóribus, nunc et in hóra mórtis nóstrae; Pray for us sinners now and at the hour of our deaths . . . Shema, Israel, Adonai Eloheinu, Adonai echad; Hear, O Israel, the Lord is our God, the Lord is One . . . Bismillāhi r-rahmāni r-rahīm; In the name of God, the most beneficent, the most merciful . . . Our Father, Who art in Heaven, hallowed be Thy Name . . . Oh, God, don't let me die here!
I blink and glance up. The sun is still shining, and I am standing next to my parents. The children behind and in front of me are squealing and laughing at the floats passing by, and I feel the day rolling on, too.
But I know that next year, I will stand, and I will applaud, and I will cry for these soldiers again. And, I find, I am glad for the tears, because they mean I have not forgotten. I don't think I could forget, even if I wanted to.
And I know I will never stop crying when, once more, the soldiers march on by.
"Mom, Mom," I say, batting at her arm like a child. "They're down there; the line starts down there."
"Where, where?" she answers, nearly as excited. I point, totally unmannered, and we hurry down the sidewalk, excusing ourselves to the mothers with strollers and the retirees holding dogs' leashes. We find another spot, and feel the heat of the sun after our short rush. I glance around, checking to be sure we're at the front of the line. I think we are.
In a few minutes, a man climbs into the open-sided jeep in front of us. A young man, too young actually, climbs in beside him, and I suspect he's some sort of medical attendant. He looks uncomfortable, like he doesn't think he deserves this place and the attention. The jeep driver starts the engine, and Dad grins.
"That jeep, she purrs," he chuckles. I smile at him, but I'm already feeling my throat tightening.
Then, I hear music from our left, down the street. All of us, sitting or standing, crane our necks, swiveling for the best view. A line of five comes down the street, followed by a line of three. Two of them, on the ends, carry rifles; the rest carry flags. My eyes blur, but just for a minute. There's a lull, and the crowd stirs with restlessness and expectation. The spry older man steps into the middle of the street and gazes down, waiting for a signal. He turns and says something to the others, and they shift almost as one. A group files out from the side of the street, to our right, then the man in the middle of the street nods, and waves his hand.
And it begins. The jeep pulls out, hauling the trailer with the old familiar bell and the sign.
At the end of the war in 1945, bells rang all over Maine.
Beside me, my father takes off his hat and starts the applause with a loud steady clap, and my mother and I join him. Around us, I hear others clapping, too, and I barely see the people in the lawn chairs around us rising to their feet. Mostly what I see is the men on the road.And I cry as I watch them.
They're older men, the same ages my grandfathers would be. Many of them wear baseball hats with words emblazoned across the front; some of them wear the hats of their military branches. Each of them carries the smooth light-colored wooden walking stick with the flags and design. Though they're stooped with age and pain, wearing suspenders to keep their pants at their waists, their steps are measured and sure. They've done longer marches than this; they've walked harder roads than this. I can imagine them, as young men, younger than I am now, full of life and vigor and recklessness, marching out onto the new ground. We'll send 'em back where they belong. I can see them, terrified out of their minds, face first in a muddy hole, clutching photos or letters or medallions. There's a woman marching in the front row, clutching hands with a man next to her, and I wonder if I could ever be so strong as she, white-haired and wrinkled as she is. I think of the terror of an entire world at war, a war that was concentrated on the shoulders of men young enough to be college students, yet old enough to leave wives and children at home. I wonder about their families, their stories. I watch the men they are today walk by, as straight as their old bones will let them stand, and I cry harder as the last one passes.
Right behind them is another banner, another group of men. They're a little younger, the ages of my uncles, though some of them are stooped with pains other than age. They walk just as proudly, just as strong, as the men before them. They're waving more then the others, smiling a little more, but their eyes are still haunted. Their walking sticks are the same size and shape, but the flag pattern is a little different. Over half of these men wear the black shirts with the white words and outlined silhouette. You are not forgotten. I wonder how many of them are still waiting for a partner, a brother, a buddy to come home from the prisons. Though their fight was shorter, less global, I know it was just as horrible. I think of the new and terrible weapons these men used and experienced, the fear and confusion of smoke-filled jungles, and I shiver for them. I ache when I think of the confusion, the reproachful near-betrayal they felt when their government acted embarrassed of the effort they'd made. My tears flow just as freely for them, too.
There's another group coming, the largest so far. These men are the strongest, outwardly, and the youngest, but many of them walk with limps or lean too hard on their walking sticks. Some of them walk straight and proud, but many of them look nearly embarrassed to be there. I know why, and I feel angry at a world, a country, that spat on them when they were weakest. Like the others, these men did what they were told to do, fought and bled and watched their comrades die. They left wives and babies, fathers and mothers, brothers and sisters and cousins, and home. I imagine them, young, strong, confident in their victory . . . and I see their shock when it never came. I see their joy when they were told the war was won, they were told they could go home. And I cringe at the shock and confusion when they came home to neighbors who screamed the ugly words at them--baby-killer!--and strangers who burnt the flag that'd been so precious to the men over the sea. Make love, not war. It's been within my memory that they've been allowed, requested, to march, and I remember many faces from that first year, when we spilt out onto the sidewalks and clapped until our hands hurt, trying to make right the wrongs done to them those many years ago. I weep, knowing that, really, nothing will ever erase that burning betrayal of the past.
Now a small group marches past, only a handful, really. Only a few of them are in civilian dress; the rest are still in their ACUs and combat boots. There is a noticeable number of women in their group. They're wearing sunglasses, mostly, and have their sleeves rolled up. I know that their wives, husbands, and little children are probably watching from sidewalks somewhere close by. Always ready, always there. I know that they have no time to bask in the applause and salutes and cheers. In the next few months, weeks, even days maybe, most of them will be redeployed, sent out to arid shining lands where any beauty is erased by the blazing sun. I imagine the sunburns, the cracked lips, the constant thirst. They're engaging with the crowd the most, and I meet their eyes with my own tear-filled ones.
The buses are here, and I raise my head, tipping my face to squint up into the windows. They've started putting a sign on the sides--Veterans--because people used to ignore the buses, stop clapping, sit down. This year, there's a man standing on the steps of each vehicle, waving at us. Their eyes are still sharp, mostly, and each one of them clutches the walking stick in his hand. These are men and women whose bodies no longer have the capability to walk the relatively-short route, the ones who have physically suffered the most. And yet here they are, waving little flags and wearing the hats and smiling down at us. One man is so hunched from age and pain that he can barely peep over the edge of the window, but his crumpled little hand still feebly waves the flag he fought for. God bless America, boys. I wave back, doing my best to smile through my tears.
And then, the buses are gone, taking the last of these soldiers with them. I wipe away my tears, get a drink, look around shyly at the people around me. Most of the others have gone back to their chairs, are chatting with the people beside them. My father puts his hat back on, and the parade flows past us like nothing happened.
I look at the ground. A few last tears trickle down my face as I swallow the lump still in my throat, my heart still somewhere on a battlefield. I think I can hear the soldiers whispering.
I see the smoke, hear the screams, smell the gunpowder, feel the explosions, taste the the bitter terror as if it were my own. It roars and roars until everything seems black.
I blink and glance up. The sun is still shining, and I am standing next to my parents. The children behind and in front of me are squealing and laughing at the floats passing by, and I feel the day rolling on, too.
But I know that next year, I will stand, and I will applaud, and I will cry for these soldiers again. And, I find, I am glad for the tears, because they mean I have not forgotten. I don't think I could forget, even if I wanted to.
And I know I will never stop crying when, once more, the soldiers march on by.
Friday, June 24, 2011
fresh off the chopping block
I don't really remember when we met. I was really more friends with your across-the-hall neighbor, and to be honest, rather foolish and flirtatious with said neighbor. The first time I really remember you was one day when you were scolding him for missing me in chapel. "C'mon, man," you said, blue eyes wide. "I always notice my friends!" Thinking about it now, you were angry with the other guy for being oblivious (only one of the masculine traits you would attack in the coming years). At the moment, though, I was just grateful for your verbalizing what I was grumpily thinking. After that, there were a few more incidents (properly described) that cemented our friendship. One rainy night, a friend and I banged on the boys' dorm door and you popped out, barefoot, and played in the monsoon with us and our pathetic, broken umbrella. You watched me cry my way through every huge paper that first year, all without freaking out or fleeing the scene. When I was having a major self-esteem freak-out about my upcoming gym class, you drove me to the store to buy pants that made me feel hot. ("These better be the best darn pants in the whole world!" you snapped at me in the car.) You knew both sides of the circumstances of my first serious broken heart, and you didn't throw it in my face when it predictably blew up.
Most people either feared or disliked you on sight. I did neither. Somehow I understood and accepted your sarcastic bitterness, your pessimism, your apparent chauvinism, and your brusqueness. It was like I already knew you before we began, and it was easy to just continue on. You sort of just rolled into my life . . . and stayed.
On my twentieth birthday, you rescued me from awkward advances from an awkward boy, then went ahead and talked me down from the emotional cliff. That was the first time you gave me any type of good advice, and I think, perhaps, that was when I began to really love you. Instead of reciprocating, you found someone else. That became the motif of our relationship. When you were free and unattached, I was very interested in someone else--someone "better," I told myself. When I yearned for your affection, you were in love with the pattern girl--someone skinnier, shorter, funnier, smarter, classier, more intriguing, more ambitious, and much more obnoxious than I was. Somehow, we stayed friends through it all. I called you whenever I needed help with picking up guests or checking car engines or taking care of my plants over break. You answered your phone all those times, and, unasked, you held me as I wept from stress and hurt and fear. Without fail, we had screaming, knock-down drag-out fights every time we spent too much time apart. You always "won," but I really won because I avoided doing the one thing you aimed for. ("You know you want to hit me. Right here," you'd say, patting the side of your face.)
I watched you grow up while we were at school, but so much of you remained enigmatic to me. There were so many things I hated about you--the way you stole my food right off my plate, how you ignored me when someone "better" arrived in the conversation, your chuckle right after making a jerk-ish comment, the stubborn belief that you were always always right. There were times when I silently cheered for people who called you "arrogant" or "rude" or worse. But mostly, I was on your side. I never understood why you went through random phases when life was good, and everything was looking up. It made me vaguely uneasy when you were so optimistic; I didn't quite know how to handle that version of you. And I couldn't fathom why you endured my ignoring you for weeks, then suddenly responded to my frantic phone calls with such tenderness. I didn't understand . . . but I was grateful. Was that the real you, trying to get out?
I think that was really you--the one you should be. You wanted to be the understanding, enthusiastic, tender version of yourself . . . but you didn't know how. No one ever showed you, maybe, or you felt strange and unnatural when you were like that. I wish I could tell you how much I believe in the real you. I wish I could tell you that I know you can be the man I started to see in you--the one who's tender, and thoughtful, and strong in all the right ways. I wish you would believe me . . . but I'm pretty sure you'd laugh and roll your eyes.
And then I just might hit you.
Most people either feared or disliked you on sight. I did neither. Somehow I understood and accepted your sarcastic bitterness, your pessimism, your apparent chauvinism, and your brusqueness. It was like I already knew you before we began, and it was easy to just continue on. You sort of just rolled into my life . . . and stayed.
On my twentieth birthday, you rescued me from awkward advances from an awkward boy, then went ahead and talked me down from the emotional cliff. That was the first time you gave me any type of good advice, and I think, perhaps, that was when I began to really love you. Instead of reciprocating, you found someone else. That became the motif of our relationship. When you were free and unattached, I was very interested in someone else--someone "better," I told myself. When I yearned for your affection, you were in love with the pattern girl--someone skinnier, shorter, funnier, smarter, classier, more intriguing, more ambitious, and much more obnoxious than I was. Somehow, we stayed friends through it all. I called you whenever I needed help with picking up guests or checking car engines or taking care of my plants over break. You answered your phone all those times, and, unasked, you held me as I wept from stress and hurt and fear. Without fail, we had screaming, knock-down drag-out fights every time we spent too much time apart. You always "won," but I really won because I avoided doing the one thing you aimed for. ("You know you want to hit me. Right here," you'd say, patting the side of your face.)
I watched you grow up while we were at school, but so much of you remained enigmatic to me. There were so many things I hated about you--the way you stole my food right off my plate, how you ignored me when someone "better" arrived in the conversation, your chuckle right after making a jerk-ish comment, the stubborn belief that you were always always right. There were times when I silently cheered for people who called you "arrogant" or "rude" or worse. But mostly, I was on your side. I never understood why you went through random phases when life was good, and everything was looking up. It made me vaguely uneasy when you were so optimistic; I didn't quite know how to handle that version of you. And I couldn't fathom why you endured my ignoring you for weeks, then suddenly responded to my frantic phone calls with such tenderness. I didn't understand . . . but I was grateful. Was that the real you, trying to get out?
I think that was really you--the one you should be. You wanted to be the understanding, enthusiastic, tender version of yourself . . . but you didn't know how. No one ever showed you, maybe, or you felt strange and unnatural when you were like that. I wish I could tell you how much I believe in the real you. I wish I could tell you that I know you can be the man I started to see in you--the one who's tender, and thoughtful, and strong in all the right ways. I wish you would believe me . . . but I'm pretty sure you'd laugh and roll your eyes.
And then I just might hit you.
Tuesday, June 21, 2011
best. boss. ever.
The first time I met him, I wrote in my journal,
He is indeed a great boss, like B. said he would be. But I am insanely curious about his background. He speaks perfect American-accented English, perfect (as far as I can tell) Hebrew, walks and dresses and acts like an American man, has a small tattoo between the thumb and forefinger of his left hand (revealing he has a past, haha), has sort of Jewish-looking dark eyes and hair and skin, is married to Liat (who sounds . . . Jewish? I'm so bad at discerning accents), and has boys with rather Jewish-sounding names that I can't pronounce.
Funny how much I got right in that first impression.
I was terrified of Natan for the first few weeks I worked for him. He had a temper, and tended to be contentious, which intimidated me. I also was certain he didn't like me, as he never ever smiled or praised or actually really looked me in the eyes. Then, one day, he randomly picked me to be the first double-checker, to be sure the rooms were really clean. In the face of more-experienced volunteers' protests ("But . . . she's new!") he said, infuriatingly calmly, "I know. But I rely on Katie. She has perfectionist tendencies."
It was a little bit of an oh moment for me; I think I walked a little straighter afterward.
In the few months I was in Israel, there were many people who surprised me, beat through my reserved-ness, and attached themselves to my heart, but I think that none was so surprising to me as Natan. I don't even know how to explain it to someone who hasn't met him.
He was this strange strange mix of American cockiness and Jewish stubbornness (and that without any Jewish lineage--the dark eyes were Armenian, from his mother). He was raised, right outside Jerusalem, by two resident aliens, Americans who emigrated to Israel "before it was in style"; he grew up speaking Hebrew and English and spending summers and especially the Fourths of July in Kentucky. ("Fireworks are the only good thing about summers in the States.") He ran in some ridiculously-named street gang in junior and senior high school. ("Were you ever in any gang fights?" I asked him one day. "Yes, Katie," he smirked, "we had our 'rumbles' in the parks."). He served in the Israeli and U.S. armies ("The American army was harder, actually, because they expected everything to be so clean, but their breakfasts were great.") He was a rebel, a hippie, a drunk, a runaway, a shame. And then, suddenly, he came back to the faith of his parents, got things together, and met his wife. ("When she was single, she used to tell people, 'My husband is in a bar somewhere, drunk,' and she was right.") He went from being a disappointment to being a husband who loves his wife, and a father who wants to raise his boys in the best way he knows how. ("Well . . . I don't want to make them celebrate Christmas, because that's really counter-cultural here and I don't want them growing up confused and feeling like outsiders.") Mostly, he hated being put in a box, any box. ("I am not a third-culture child! Do you even know what that is?!?" "Yes, I do," I told him, "and you most definitely are one." "No," he insisted, "I'm distinctly my own culture.")
And even though, maybe, he didn't realize it, he sort of became a father to "his" volunteers. On one of my days off, I had a fight with one of the other girls, and when it was over I slipped off to Natan's office. "Can I stay here for awhile?" I asked him, barely holding back the shaking in my voice, and he just nodded. I sat on my stool, far away from him, and breathed. He stayed at his desk, making up the schedule and ignoring me, but I knew, somehow, that he was sliding his eyes over to survey me when I wasn't looking. I grew to understand the veiled affection, just nod and ignore his doomsday words about all things dear to him--like the housekeeping cat, which he secretly smuggled food every day. ("Do you know that cats usually die of kidney failure because they refuse to drink?" he grumbled one day as he put a huge bowl of water outside.) Housekeeping wasn't an easy job, but Natan stood as an advocate, a protector between us volunteers and the rest of the moshav. When he'd leave following a tense or angry or stressful conversation, I learned to expect and even be relieved by the faint scent of nicotine that clung to him when he returned. If Natan disappeared and came back smelling of cigarette smoke, I knew things would pan out okay.
As my close volunteer friends left, as my time in Israel drew to an end, as my heart became more and more afraid of leaving all I loved there, I found myself drawn again and again to the housekeeping "office" and Natan's presence. On my days off, or my night-shift days, I'd come in and help him fold laundry and ask him dozens of questions about his life. There was strange comfort in his stories of recklessness and bad decisions, even in his sarcasm and cynicism. He answered my questions, understanding both my culture and the Israeli culture as his own. He debated my theology, my practices, my politics. ("I'll get you an article about that subject," he told me. "Natan . . . your father wrote this! I can't argue against it!" "Well--I just wanted to get you the best information out there.") He infuriated and frustrated and challenged me . . . and I loved him for it.
In my last days in Israel, I was more drawn to the quiet reasonably-predictable moments and places and people than to new experiences or places. So it was that, nine days before I left Israel, I lingered in supply room with Natan, after all the other volunteers went back to their rooms to take showers and rest or go out or whatnot. I was sitting crazily yet firmly balanced on a narrow strip of desk, one foot on Natan's desk, the other on the arm of a broken plastic chair. As was usual after the volunteers' workday, Natan crouched near the doorway, scrubbing out the cups and mugs before putting them in the dishwasher. It was an unseasonably hot day, and we'd worked hard, so I was tired and smelled so bad I could nearly see my scent rising from under my arms. I don't remember exactly what I said to him, but suddenly he looked up from his work.
"What was Jesus' message, in one word--if you had to sum up?"
"Natan . . . I feel like you already have an answer."
"Oh, I do." (He probably smirked, and I probably rolled my eyes.)
"Well, just tell me then."
"Okay. Jesus' main message to people was--'Relax.' And most people don't. I didn't."
And then he looked straight into my eyes with his dark Armenian gaze.
"Most of the questions you have now, you won't have in ten years. The things that matter to you now . . . won't. The questions will mostly answer themselves."
I leaned back and tried to breathe without crying. Natan went back to his dishes, as if he hadn't just solved my entire life's problems in one sentence.
Saying goodbye to Natan was nearly harder than anything else I had to do when I left Israel. Different volunteers had come and gone, even roommates and best friends, but Natan--he'd been there to watch me from day one, and he knew and remembered all the ridiculous and horrible and lovely things I'd done. Surprisingly, he came to my goodbye evening at the volunteers' clubhouse (he hated that place) and even more surprisingly, insisted on doing a "confirmation circle" for me. When it was his turn, he looked at me, seriously, and said, "Katie, you were a cheerful worker . . . usually--" A tiny smirk quirked the corners of his mouth, but his eyes stayed roundly innocent. "--and a lot of fun to work with . . . most of the time." (I could immediately recall some days I'd not been fun.) He looked at me, eyes and mouth and voice all serious and gentle, and he said, simply, "You're a good girl."
When I said my final goodbye to Natan, hours before I left the moshav, he mocked my handwriting ("Why didn't you print my letter like you printed Liat's?!?") and hugged me (twice). As I turned to go, he said, "Don't worry--you'll be back. And in the meantime, I'll be showing your photo to qualified guys and finding you a husband."
I think I laughed at him.
Ohhhh, Natan. Of all the things you are, "matchmaker" would not be on the list, I'm sorry to say. But I am so grateful for your kindness, your trustworthiness, your honesty, and your strangely-expressed affection. Mostly, I am grateful for your respect, for I know it is not given easily. Though you hate expressing yourself, I understood what you meant when you said goodbye. It was all summed up in that one phrase that meant so much. You're a good girl.
And you, Natan, are a good man.
He is indeed a great boss, like B. said he would be. But I am insanely curious about his background. He speaks perfect American-accented English, perfect (as far as I can tell) Hebrew, walks and dresses and acts like an American man, has a small tattoo between the thumb and forefinger of his left hand (revealing he has a past, haha), has sort of Jewish-looking dark eyes and hair and skin, is married to Liat (who sounds . . . Jewish? I'm so bad at discerning accents), and has boys with rather Jewish-sounding names that I can't pronounce.
Funny how much I got right in that first impression.
I was terrified of Natan for the first few weeks I worked for him. He had a temper, and tended to be contentious, which intimidated me. I also was certain he didn't like me, as he never ever smiled or praised or actually really looked me in the eyes. Then, one day, he randomly picked me to be the first double-checker, to be sure the rooms were really clean. In the face of more-experienced volunteers' protests ("But . . . she's new!") he said, infuriatingly calmly, "I know. But I rely on Katie. She has perfectionist tendencies."
It was a little bit of an oh moment for me; I think I walked a little straighter afterward.
In the few months I was in Israel, there were many people who surprised me, beat through my reserved-ness, and attached themselves to my heart, but I think that none was so surprising to me as Natan. I don't even know how to explain it to someone who hasn't met him.
He was this strange strange mix of American cockiness and Jewish stubbornness (and that without any Jewish lineage--the dark eyes were Armenian, from his mother). He was raised, right outside Jerusalem, by two resident aliens, Americans who emigrated to Israel "before it was in style"; he grew up speaking Hebrew and English and spending summers and especially the Fourths of July in Kentucky. ("Fireworks are the only good thing about summers in the States.") He ran in some ridiculously-named street gang in junior and senior high school. ("Were you ever in any gang fights?" I asked him one day. "Yes, Katie," he smirked, "we had our 'rumbles' in the parks."). He served in the Israeli and U.S. armies ("The American army was harder, actually, because they expected everything to be so clean, but their breakfasts were great.") He was a rebel, a hippie, a drunk, a runaway, a shame. And then, suddenly, he came back to the faith of his parents, got things together, and met his wife. ("When she was single, she used to tell people, 'My husband is in a bar somewhere, drunk,' and she was right.") He went from being a disappointment to being a husband who loves his wife, and a father who wants to raise his boys in the best way he knows how. ("Well . . . I don't want to make them celebrate Christmas, because that's really counter-cultural here and I don't want them growing up confused and feeling like outsiders.") Mostly, he hated being put in a box, any box. ("I am not a third-culture child! Do you even know what that is?!?" "Yes, I do," I told him, "and you most definitely are one." "No," he insisted, "I'm distinctly my own culture.")
And even though, maybe, he didn't realize it, he sort of became a father to "his" volunteers. On one of my days off, I had a fight with one of the other girls, and when it was over I slipped off to Natan's office. "Can I stay here for awhile?" I asked him, barely holding back the shaking in my voice, and he just nodded. I sat on my stool, far away from him, and breathed. He stayed at his desk, making up the schedule and ignoring me, but I knew, somehow, that he was sliding his eyes over to survey me when I wasn't looking. I grew to understand the veiled affection, just nod and ignore his doomsday words about all things dear to him--like the housekeeping cat, which he secretly smuggled food every day. ("Do you know that cats usually die of kidney failure because they refuse to drink?" he grumbled one day as he put a huge bowl of water outside.) Housekeeping wasn't an easy job, but Natan stood as an advocate, a protector between us volunteers and the rest of the moshav. When he'd leave following a tense or angry or stressful conversation, I learned to expect and even be relieved by the faint scent of nicotine that clung to him when he returned. If Natan disappeared and came back smelling of cigarette smoke, I knew things would pan out okay.
As my close volunteer friends left, as my time in Israel drew to an end, as my heart became more and more afraid of leaving all I loved there, I found myself drawn again and again to the housekeeping "office" and Natan's presence. On my days off, or my night-shift days, I'd come in and help him fold laundry and ask him dozens of questions about his life. There was strange comfort in his stories of recklessness and bad decisions, even in his sarcasm and cynicism. He answered my questions, understanding both my culture and the Israeli culture as his own. He debated my theology, my practices, my politics. ("I'll get you an article about that subject," he told me. "Natan . . . your father wrote this! I can't argue against it!" "Well--I just wanted to get you the best information out there.") He infuriated and frustrated and challenged me . . . and I loved him for it.
In my last days in Israel, I was more drawn to the quiet reasonably-predictable moments and places and people than to new experiences or places. So it was that, nine days before I left Israel, I lingered in supply room with Natan, after all the other volunteers went back to their rooms to take showers and rest or go out or whatnot. I was sitting crazily yet firmly balanced on a narrow strip of desk, one foot on Natan's desk, the other on the arm of a broken plastic chair. As was usual after the volunteers' workday, Natan crouched near the doorway, scrubbing out the cups and mugs before putting them in the dishwasher. It was an unseasonably hot day, and we'd worked hard, so I was tired and smelled so bad I could nearly see my scent rising from under my arms. I don't remember exactly what I said to him, but suddenly he looked up from his work.
"What was Jesus' message, in one word--if you had to sum up?"
"Natan . . . I feel like you already have an answer."
"Oh, I do." (He probably smirked, and I probably rolled my eyes.)
"Well, just tell me then."
"Okay. Jesus' main message to people was--'Relax.' And most people don't. I didn't."
And then he looked straight into my eyes with his dark Armenian gaze.
"Most of the questions you have now, you won't have in ten years. The things that matter to you now . . . won't. The questions will mostly answer themselves."
I leaned back and tried to breathe without crying. Natan went back to his dishes, as if he hadn't just solved my entire life's problems in one sentence.
Saying goodbye to Natan was nearly harder than anything else I had to do when I left Israel. Different volunteers had come and gone, even roommates and best friends, but Natan--he'd been there to watch me from day one, and he knew and remembered all the ridiculous and horrible and lovely things I'd done. Surprisingly, he came to my goodbye evening at the volunteers' clubhouse (he hated that place) and even more surprisingly, insisted on doing a "confirmation circle" for me. When it was his turn, he looked at me, seriously, and said, "Katie, you were a cheerful worker . . . usually--" A tiny smirk quirked the corners of his mouth, but his eyes stayed roundly innocent. "--and a lot of fun to work with . . . most of the time." (I could immediately recall some days I'd not been fun.) He looked at me, eyes and mouth and voice all serious and gentle, and he said, simply, "You're a good girl."
When I said my final goodbye to Natan, hours before I left the moshav, he mocked my handwriting ("Why didn't you print my letter like you printed Liat's?!?") and hugged me (twice). As I turned to go, he said, "Don't worry--you'll be back. And in the meantime, I'll be showing your photo to qualified guys and finding you a husband."
I think I laughed at him.
Ohhhh, Natan. Of all the things you are, "matchmaker" would not be on the list, I'm sorry to say. But I am so grateful for your kindness, your trustworthiness, your honesty, and your strangely-expressed affection. Mostly, I am grateful for your respect, for I know it is not given easily. Though you hate expressing yourself, I understood what you meant when you said goodbye. It was all summed up in that one phrase that meant so much. You're a good girl.
Sunday, June 19, 2011
don't listen when they tell you that these are your best years
One year ago, I looked out an airplane window into a star-filled sky and lost the ability to breathe.
One year ago, I fought my way, alone, through Israeli customs and the Tel Aviv airport, finally spilling out onto a hot dusty sidewalk under a parking garage, where I was immediately approached by two or three eager taxi drivers.
One year ago, I sat in a sheirut and wept because I was tired and hot and overwhelmed by the gravity of what I was about to do.
One year ago, I watched the countryside of Israel flash past my window in the grey pre-dawn, and I thought, I am really and truly finally here.
One year ago, I paid the driver whatever he asked, out of simple relief that he took me exactly where I needed to go without trying to kill or rob me.
One year ago, I walked up to kabalah, dragging my suitcase behind me, and was shocked to find it locked and dark, with only one rather exhausted-looking man at the desk inside.
One year ago, I raised my hand and knocked on the wooden pine door.
And that . . . began it all.
One year ago, I fought my way, alone, through Israeli customs and the Tel Aviv airport, finally spilling out onto a hot dusty sidewalk under a parking garage, where I was immediately approached by two or three eager taxi drivers.
One year ago, I sat in a sheirut and wept because I was tired and hot and overwhelmed by the gravity of what I was about to do.
One year ago, I watched the countryside of Israel flash past my window in the grey pre-dawn, and I thought, I am really and truly finally here.
One year ago, I paid the driver whatever he asked, out of simple relief that he took me exactly where I needed to go without trying to kill or rob me.
One year ago, I walked up to kabalah, dragging my suitcase behind me, and was shocked to find it locked and dark, with only one rather exhausted-looking man at the desk inside.
One year ago, I raised my hand and knocked on the wooden pine door.
Thursday, May 26, 2011
the thing with feathers that perches in the soul
Tonight, I started thinking back on the last few months . . .
I remembered that evening, sitting across from you, my hands spread wide on the tabletop, words tumbling from my lips like a waterfall I was helpless to stop. I didn't want to tell you everything I was spilling out; I didn't want you to know the depths of weakness and fear and hopelessness that dwelt within my heart. I was ashamed, and naked, and cut to the barest bones of my soul.
You circled my wrist with your thumb and finger, and the strength of your grip told me that you were real and solid. You didn't tell me to stop being childish (a valid point), and you didn't mock me (an understandable choice). Instead, you held my gaze and let me see into your heart. You told me that my feelings were okay . . . but they were just feelings.
And then you told me the truth.
You showed me the image of God.
You gave me hope.
It occurred to me, tonight, that hope is the one thing I most want to give to those around me. And I thought of you, and that night when you held out hope to me by presenting the truth that nestled within your heart. I knew, suddenly, that the one and only way I can ever offer hope is to offer truth, for it is truth that sets us free.
To speak truth, I have to know it, deep in the crevices of my soul. I have to be so intimately acquainted with Jesus that His words spill out when I open my lips. I have to be constant in holding myself up to the example of His life. I have to allow myself to be probed and torn and mended by the Hands of my Creator.
I think of the hope you offered me, the small spark you struck in my heart . . .
. . . and I think the agony of pursuing truth is worth the chance to do the same for someone I love.
So thank you, for your hand about my wrist, for your eyes locked with mine, for the truth in your words, . . . for being the image of Jesus to me.
I remembered that evening, sitting across from you, my hands spread wide on the tabletop, words tumbling from my lips like a waterfall I was helpless to stop. I didn't want to tell you everything I was spilling out; I didn't want you to know the depths of weakness and fear and hopelessness that dwelt within my heart. I was ashamed, and naked, and cut to the barest bones of my soul.
You circled my wrist with your thumb and finger, and the strength of your grip told me that you were real and solid. You didn't tell me to stop being childish (a valid point), and you didn't mock me (an understandable choice). Instead, you held my gaze and let me see into your heart. You told me that my feelings were okay . . . but they were just feelings.
You showed me the image of God.
You gave me hope.
It occurred to me, tonight, that hope is the one thing I most want to give to those around me. And I thought of you, and that night when you held out hope to me by presenting the truth that nestled within your heart. I knew, suddenly, that the one and only way I can ever offer hope is to offer truth, for it is truth that sets us free.
To speak truth, I have to know it, deep in the crevices of my soul. I have to be so intimately acquainted with Jesus that His words spill out when I open my lips. I have to be constant in holding myself up to the example of His life. I have to allow myself to be probed and torn and mended by the Hands of my Creator.
I think of the hope you offered me, the small spark you struck in my heart . . .
. . . and I think the agony of pursuing truth is worth the chance to do the same for someone I love.
So thank you, for your hand about my wrist, for your eyes locked with mine, for the truth in your words, . . . for being the image of Jesus to me.
Wednesday, May 11, 2011
who would have ever thought that I would write
I would like to write. I really would. I would like to write about the way the three year-old's blue eyes twinkle and spark when he laughs, about the warm soft white fur on the belly of my purring cat, about the distinct muscles in the legs of the mailman whose quickness and cheer make me want to match the laughter in his eyes, about the freckles sprinkling the five year-old's nose and cheekbones, about the pleasure of a well-worn sweatshirt, about the way scone-dough saunters out of the bowl into the baking dish, about the wild gap-toothed grins (just beginning to be filled out by grown-up teeth) of the girls as they tease me about my lack of getting-married, about the comfort of well-worn familiar music.
I would like to write. I really would. I would like to write about the drama of plane/train/car/bus trips, the angst and longing and tears that traveling awakens in my soul; about Mehane Yehuda shook, how it always smells of spicy loose-leaf teas and unrefrigerated fish and freshly-cooked food and dried herbs and ripening fruits all mashed together and swept into the dusty air of Jerusalem; about the constant dirt coating everything--my feet, my hands, my face--while I was in Africa, playing in a dusty courtyard with shining dark children who laughed and chanted and sang and danced in a language made joyful by hope I couldn't even begin to fathom; about the red dirt and green fields and familiar pines that made me fall in love with Prince Edward Island, even though my only "real" link to the place was a set of dearly beloved books; about the sweet comfortable bitter strangeness of coming back home after months away.
I would like to write. I really would. I would like to write about the heartbreak and comfort of long-distance friendships, about the painful joy of knowing no one else really cares about how I look, about the loneliness of a church service filled with believers who are still strangers to me, about the depth and profundity of the theological thoughts of a five year-old, about the frustration of working an as-yet uncertain job, about the forced peace and the constant self-reminders that God hasn't stopped working just because I feel abandoned, about the contradictions that seem now to define my life.
I would like to write. I really would. I would like to write about the future; about my secret and not-so-secret dreams; about daily events that seem small, but touch a deep place in my heart; about my thoughts, wounds, feelings, musings, hopes.
I would like to write. I really would. But right now . . . it's just too hard. My power cord refuses to charge my laptop, I hate writing by hand, and writing on my family's computer--well, I feel like you should be able to figure out why a shared-amongst-five-people computer is a poor choice for any hardcore writing/editing. Plus, there is a really weird old word processor on this computer.
I would like to write. I really would. In the long spell of not-writing, my heart has become dull, as if without an ear to its words, it has stopped producing grace in language.
I would like to write. I really would. But it all seems somewhat pointless. And dreadfully hard--in fact, it is obviously much too difficult.
I would like to write. I really would.
But I'm too afraid.
I would like to write. I really would. I would like to write about the drama of plane/train/car/bus trips, the angst and longing and tears that traveling awakens in my soul; about Mehane Yehuda shook, how it always smells of spicy loose-leaf teas and unrefrigerated fish and freshly-cooked food and dried herbs and ripening fruits all mashed together and swept into the dusty air of Jerusalem; about the constant dirt coating everything--my feet, my hands, my face--while I was in Africa, playing in a dusty courtyard with shining dark children who laughed and chanted and sang and danced in a language made joyful by hope I couldn't even begin to fathom; about the red dirt and green fields and familiar pines that made me fall in love with Prince Edward Island, even though my only "real" link to the place was a set of dearly beloved books; about the sweet comfortable bitter strangeness of coming back home after months away.
I would like to write. I really would. I would like to write about the heartbreak and comfort of long-distance friendships, about the painful joy of knowing no one else really cares about how I look, about the loneliness of a church service filled with believers who are still strangers to me, about the depth and profundity of the theological thoughts of a five year-old, about the frustration of working an as-yet uncertain job, about the forced peace and the constant self-reminders that God hasn't stopped working just because I feel abandoned, about the contradictions that seem now to define my life.
I would like to write. I really would. I would like to write about the future; about my secret and not-so-secret dreams; about daily events that seem small, but touch a deep place in my heart; about my thoughts, wounds, feelings, musings, hopes.
I would like to write. I really would. But right now . . . it's just too hard. My power cord refuses to charge my laptop, I hate writing by hand, and writing on my family's computer--well, I feel like you should be able to figure out why a shared-amongst-five-people computer is a poor choice for any hardcore writing/editing. Plus, there is a really weird old word processor on this computer.
I would like to write. I really would. In the long spell of not-writing, my heart has become dull, as if without an ear to its words, it has stopped producing grace in language.
I would like to write. I really would. But it all seems somewhat pointless. And dreadfully hard--in fact, it is obviously much too difficult.
I would like to write. I really would.
Wednesday, April 27, 2011
waiting for my rocket
I'm angry a lot these days. I'm angry at the kids I work with; I'm angry at my political "representatives." I'm angry at my church; I'm angry at random rude people. I'm angry at the "Christian" community in the States; I'm angry at my family. Mostly, though, I'm angry at myself . . . and at God.
I want to scream--"You went to Israel and back, yet you can't make yourself live day-to-day life?!? You took initiative to travel the most volatile region in the world, and you refuse to go job-searching in your hometown?!? You're full of empowerment, confidence, and courage when it comes to navigating Jerusalem . . . but you're paralyzed and terrified when it comes to approaching your friends, people you love deeply, about the power and love of God toward them?!?"
And God. He took me there, He brought me to the place where His Word was written, where His people's history happened; He broke up the hardness of my heart and challenged me and grew me and stretched me to painful lengths and strengthened my spiritual muscles . . .
And then He dumps me back here. Like, unexpectedly, He stops the bus and chirps into the intercom system, "Here's your stop! Watch your step getting off the bus and don't forget your personal belongings! Thank you for traveling with us!"
"Wait, I wasn't quite ready for that," I want to tell Him. "I'm not done being on this bus . . . I want to go to the end of the line."
But no. Firmly, He pushes me off the bus, and I'm left standing here, feeling helpless and lost, with all the packed-up memories of the past twelve months piled around me; with no one to take me home, no one to tell me where to go; and with a horrible aching saudade burning a hole in my chest . . .
So I sit here, on my suitcases, waiting for my bus to come back (or a new bus to come in--I think right now I'd settle for either).
But no bus is on the horizon, and no one is coming to get me either. It seems that all I have left is the memories in these suitcases. For a little bit, that's okay; but eventually, every bag is opened and pawed-through and scattered over the parking lot . . . and I am still here, with nothing new and beautiful to pack into my bags.
And the road is still empty.
Is He just abandoning me here? Is this the end of the road for me? Am I as useless as I feel right now? I know the answer to those questions is no, and He will indeed be back, and He has lots of plans/life mapped out for me, and this waiting isn't as empty-nothing as it feels . . . but it's still hard.
I'm a bus-station orphan, dammit, and I don't know when this waiting is going to be over . . .
I want to scream--"You went to Israel and back, yet you can't make yourself live day-to-day life?!? You took initiative to travel the most volatile region in the world, and you refuse to go job-searching in your hometown?!? You're full of empowerment, confidence, and courage when it comes to navigating Jerusalem . . . but you're paralyzed and terrified when it comes to approaching your friends, people you love deeply, about the power and love of God toward them?!?"
And God. He took me there, He brought me to the place where His Word was written, where His people's history happened; He broke up the hardness of my heart and challenged me and grew me and stretched me to painful lengths and strengthened my spiritual muscles . . .
And then He dumps me back here. Like, unexpectedly, He stops the bus and chirps into the intercom system, "Here's your stop! Watch your step getting off the bus and don't forget your personal belongings! Thank you for traveling with us!"
"Wait, I wasn't quite ready for that," I want to tell Him. "I'm not done being on this bus . . . I want to go to the end of the line."
But no. Firmly, He pushes me off the bus, and I'm left standing here, feeling helpless and lost, with all the packed-up memories of the past twelve months piled around me; with no one to take me home, no one to tell me where to go; and with a horrible aching saudade burning a hole in my chest . . .
So I sit here, on my suitcases, waiting for my bus to come back (or a new bus to come in--I think right now I'd settle for either).
But no bus is on the horizon, and no one is coming to get me either. It seems that all I have left is the memories in these suitcases. For a little bit, that's okay; but eventually, every bag is opened and pawed-through and scattered over the parking lot . . . and I am still here, with nothing new and beautiful to pack into my bags.
And the road is still empty.
Is He just abandoning me here? Is this the end of the road for me? Am I as useless as I feel right now? I know the answer to those questions is no, and He will indeed be back, and He has lots of plans/life mapped out for me, and this waiting isn't as empty-nothing as it feels . . . but it's still hard.
I'm a bus-station orphan, dammit, and I don't know when this waiting is going to be over . . .
Saturday, March 19, 2011
all things new
Today I decided that, once and for all, I was going to sort through my Israel journals, in order to figure out what exactly I wanted to put into the book I'm "going" to write about my four months there.
And then, suddenly, I was struck by the futility of such an undertaking.
For a good story, you have to have a beginning, middle, and end.
But where does my Israel-story begin? In a history lesson at age twelve? In the myriad conversations about fear and hope and courage during my last year at university? And where exactly is its end? In the wracking sobs at the Tel Aviv departure terminal? When I last glimpsed the Yad HaShmona sign, fading out of sight into the darkness? Or at the moment my passport was checked at Boston's customs?
In my opinion, actually, this story will never have a proper end until I am finally reunited with all those I knew and loved in Israel. And that reunion will probably never take place on this earth, but in a New City . . .
I think I'll probably write it anyway, and add an "epilogue" that drives Americans crazy.
(Did you know that Europeans and Middle Easterners and Asians and, well, probably everyone else in the world, have no need for their movies to end in a neat wrapped-up wedding-dress-and-honeymoon kind of way? Just saying. We've got a complex.)
And then, suddenly, I was struck by the futility of such an undertaking.
For a good story, you have to have a beginning, middle, and end.
But where does my Israel-story begin? In a history lesson at age twelve? In the myriad conversations about fear and hope and courage during my last year at university? And where exactly is its end? In the wracking sobs at the Tel Aviv departure terminal? When I last glimpsed the Yad HaShmona sign, fading out of sight into the darkness? Or at the moment my passport was checked at Boston's customs?
In my opinion, actually, this story will never have a proper end until I am finally reunited with all those I knew and loved in Israel. And that reunion will probably never take place on this earth, but in a New City . . .
I think I'll probably write it anyway, and add an "epilogue" that drives Americans crazy.
(Did you know that Europeans and Middle Easterners and Asians and, well, probably everyone else in the world, have no need for their movies to end in a neat wrapped-up wedding-dress-and-honeymoon kind of way? Just saying. We've got a complex.)
Thursday, February 03, 2011
condensing
Original (two hundred words)
He had been hungry for as long as he could remember; even his first word testified to it—“more?” Born number four of eight, his father in and out of work, he’d never known what enough meant. His tearful mother made him leave at age sixteen, telling him that it was for his good and the good of the littler ones squalling in the house. It wasn’t true, and they both knew it, but he went with a cheerful goodbye and kisses for everyone.
Now here it was, a chance at something different. He stared at the sign in the window, blinking to be sure it wasn’t another hallucination. The words seemed unreal— Work available. Pay: room and board. He swayed, light-headed just standing still, and his stomach cramped, demanding to be filled. He had to take this chance and risk his hopes being dashed again.
With a deep breath, he opened the shop door and stepped to the counter, explaining to the owner that he had seen the sign. The next moments were all a blur. He answered the questions, signed his name over and over, but he left with the beautiful words ringing in his head—You’re hired.
***
Nineteen words
Hunger was always the master. “More?” the boy begged.
Now a man, he triumphed through new words. “You’re hired.”
Now a man, he triumphed through new words. “You’re hired.”
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